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(…) even as Warhol canonizes Monroe, he reveals her public image as a carefully structured illusion. Redolent of 1950s glamour, the face in (Gold Marilyn Monroe) is much like the star herself—high gloss, yet transient; bold, yet vulnerable; compelling, yet elusive. Surrounded by a void, it is like the fadeout at the end of a movie. (Moma.org)
High gloss, yet transient; bold, yet vulnerable; compelling, yet elusive. Clap clap
Julio 11th, 2008 at 8:20 pm
(…) even as Warhol canonizes Monroe, he reveals her public image as a carefully structured illusion. Redolent of 1950s glamour, the face in (Gold Marilyn Monroe) is much like the star herself—high gloss, yet transient; bold, yet vulnerable; compelling, yet elusive. Surrounded by a void, it is like the fadeout at the end of a movie. (Moma.org)
High gloss, yet transient; bold, yet vulnerable; compelling, yet elusive. Clap clap
Julio 11th, 2008 at 9:26 pm
Yo agregaría: “En España, yet El Puto Amo…” Je.